Thursday, January 15, 2015

Exercise for Rebel Artists 84-98


The spectrum is a non-confrontational platform to air extremely sensitive issues that may otherwise be avoided. Some examples are political issues, identity, sexuality, and spirituality are constantly shifting and so are our community alliances. It is important to explain to the participants that the exercise is, first and foremost, about “the subjectivity and fluidity of notions of identity and community.” They must understand that the exercise is about self-identification and self-perception and not about imposed identity.
The Zapatista-inspired town meeting
Inspired by some of the Zapatista assemblies, we have found this discussion format to be very useful to creatively address the aesthetic, political, and social questions and/ or tensions that arise during the workshop process. Certain tensions are inherent to the human condition: some people have large personalities and more strident voices.
Discussing the implications of video and photographic documentation
We normally introduce this discussion on day four, at the beginning of the second session; the discussion should focus on the importance of and risks accompanying photographic and video documentation. An inquisitive question would be: What are we going to do with this documentation – merely revise it as a visual diary.
“Pulling performances out of a hat”
This is a good exercise when participants are getting physically tired and the instructor begins to sense that it is time to let the bodies of participants take a break. 
When everyone has completed their scripts, participants sit in a circle and place their written instructions in a hat. One at a time, each participant chooses a piece of paper out of the hat and reads it to him/ herself.

No comments:

Post a Comment